Jona Cerwinske


March 10 – 25

22 Ludlow St

New York, NY

"I create in a marriage of two art forms that rebel against each other. I come from a generation when galleries did not accept anything from the street. And, vice versa, the street wanted nothing to do with the galleries. I had to experiment with what that looked like, combined." – Jona Cerwinske


On Message Off Grid is an installation of Jona Cerwinske in New York City, presenting works created in situ, showcasing the gallery format as the ultimate studio visit as the artist creates additional works across the streetscapes of NYC.  

Nature’s Course: An Interview with John Newsom (Part 1)
Combining realistic representations of animals and vegetation, Abstract Expressionism, and hard-edge geometry, John Newsom’s paintings explore our intricate and complicated relationship with nature. I spoke with John about his origins, his practice, and his upcoming exhibitions: a mid-career retrospective at the Oklahoma Contemporary Museum and a two-person show with Raymond Pettibon in Palm Beach.


Curated by Mike Malbon & Nemo Librizzi 

Featuring: Phase 2, Jon One, Futura, Rambo, Coco144, Tracy168 

Projection Photography by David Schmidlapp

In the wake of the Civil Rights movement, a generation of children took to the streets, and signed their names to the trains and walls of a crumbling New York City infrastructure. If unique autographs- like Coco 144- were a significant form of self-expression in their unadorned form, this group practice would undergo in time a transformation, what Phase 2 described as an “evolution of style” towards a convoluted new application of the alphabet Tracy 168 called “wild style”. This innovative language dismissed as “graffiti” by the media was illegible to the outsider, and a creative call-to-arms for the initiate, a battle of letters and words Rammellzee dubbed “Iconoclast Panzerism”. Finally, writers would eschew the signature altogether, and pure abstractions would serve as the artist’s calling card, beginning with Futura’s seminal non-representational “break train”. The subway era was brought to a dramatic finale with the spontaneous compositions of Jon One, who would go on painting in the same vein to artworld acclaim overseas. And in the short, rich career of Lance De Los Reyes, this story is recapitulated from his first humble Rambo tags, to an abstract body of paintings famed for sophisticated color instinct and poetic impact. In this historical context, The Trops presents My Name is Writ in Water, a survey of abstractions curated by Mike Malbon and Nemo Librizzi.

Dec 21 – Jan 4, 2022

COCO 144
One of the first ‘Writers’ of the late 1960s, COCO 144 embossed New York City subway cars, underground tunnels, and concrete walls with his spray-painted pen name—inspired by a popular Puerto Rican pet name and the street that he grew up on in Manhattan, 144th street. His art lives on, both literally and figuratively, throughout the hollows of New York City.